글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블

글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블

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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.

The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.

Considering the fact that many people don't have ample blood to have interaction in physically demanding action with a whole tummy, the human body will rebel at first by building you feel terrible, but This is certainly an envisioned reaction. I wish the crowd to come to feel by itself properly addressed, Specifically because it lives and lets me Reside; The posts are set, the booth of boards accomplished. Ye crowd a lot more in close proximity to! My very own undertaking has been cheered by the invention, which the more intently I reproduced the language of the first, the more of its rhythmical character was transferred at the same time. I really feel impelled, its which means to determine,-- With sincere objective, once for all, The hallowed Primary To alter to my beloved German. Properly-created you might be, 'tis to not be denied, The remainder a bold handle will earn you; In case you but in oneself confide, Simultaneously confide all Other people in you. So, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- Which is my good component. Hayward's solely omits the factor of poetry.

Hayward's ear didn't dictate to him the necessity of preserving the initial rhythm. I honor him for the client and conscientious labor he has bestowed on his translation,--I can not but feel that he has himself illustrated the unsoundness of his argument. Poetry is not really just a manner of expression: it's the form of expression Totally essential by a particular class of Suggestions. The English ear is suspicious of new metres and unaccustomed forms of expression: you can find essential detectives to the observe of every author, as well as a violation in the accepted canons is accompanied by a summons to judgment. In Poetry which endures as a result of its have inherent vitality, there isn't any compelled union of these two features. The writer's imagined is stripped of A final grace in passing by way of his thoughts, and often offers greatly the identical resemblance to the first as an unhewn shaft into the fluted column.

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